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Just because you have something, doesn't mean others have to know. After loving someone, the next most powerful emotion you can invest in that person is trust.People will always perceive the poor man to be hungrier than the fat cat. Here, BIG is alluding to avoiding getting set up in a drug deal, but it honestly applies to deals of any nature. Trust is by no means a prerequisite for business, remember that.For many years I was seeking asylum, in the bleakest environments, Rhyme possessed me, while many started speaking retirement, So as I rose they all fell in the fashion of yelling and trashing, For what it’s worth there was no quelling the passion, Their love was dead, I was writing papes but getting fuck all said, So I polished my shit until my knuckles bled, Treading thin ice and all I caught were chills, Sacrifices were appetisers, mics instead of meals, This hand was mine, so I played it until I made it expand my mind, And burned my name into the sands of time, Then rhyme gave me strength to less avail, Got used to these backstabbers, so now I sleep on a bed of nails, I never fail, but turning tides are moving too slow, I swam the depths of every ocean just to prove I could flow, So from the cradle to the grave, turntable to Holy Father, I swear I didn’t slit my wrists I got the Hip Hop stigmata. Hilltop Hoods and we’re coming up, So step on up if you’re dumb enough, Hilltop Hoods and we’re coming up, So step on up if you’re dumb enough. I arrange certain words amongst silence, To be heard in abundance while MC’s face redundance, Stereo speakers exceed beyond specifications Through extended noise generations, Let’s cut the conversations to a small chat, why’s that?You got to pray to Hip Hop almighty, We bless the microphone nightly, Open up the lyric from inside me, It’s our calling that’s why we say, You got to pray to Hip Hop almighty, We bless the microphone nightly, Open up the lyric from inside me, It’s our calling that’s why we say… Withers) Produced by Suffa for Suffering City Productions & DJ Debris for take away productions. From the hilltops in the Andes, to the Rockies in Canada, We infecting mics like Tommy did Pamela, They gassed in the head, that trash you said was pure jealousy, Like ‘Left Foot, Right Foot’s an invitation to step to me, You’re losing you footing, you need some Velcro on them Shell toes, In fights I’m throwing rhymes, in rhyme fights I’m throwing elbows, I move a crowd like stolen goods, so try and get a hold when, You couldn’t move your shit with a diarrhetic colon, I already told them, the hills are impassable, impossible, If the truth hurts; this rhyme will put you in hospital, Break it down like a molecule, we burning like fossil fuel, I’m something of a phenomenon – I’m phenomenal, These rappers they don’t wanna fuck with Suff, You better turn off your mic, unless you’re dumb enough, Cos we’re running up on stage from night until the sun is up, So run amok you’re with the… I’m busy trying to react to the high-hat, Blockade and Certified stand tall above ridiculous under-achievers, And constant non-believers.You got to pray to Hip Hop almighty, We bless the microphone nightly, Open up the lyric from inside me, It’s our calling that’s why we say, You got to pray to Hip Hop almighty, We bless the microphone nightly, Open up the lyric from inside me, It’s our calling that’s why we say… I once had respect for this game, but now this game of respect, Is sold to the highest bidder with some fame and a cheque, Now any layman can get respect without breaking his neck, Paying dues, time these crews started paying some debt, It ain’t lights and cameras, personalities on set, Distorting realities in their context, With no originality concepts, Who gives a fuck about a salary; this ain’t a popularity contest, Cos Hip Hop ain’t faking for ends, Hip Hop ain’t, Fading with trends, it ain’t rich kids playing with pens, It ain’t the clothes on your back, or the label on them, It’s where you’re at, so I say it again, It’s just my life cycle; music means everything to me, It’s just a fashion show, nah; don’t believe everything you see, Cos if our eyes tell us lies the truth is we’re blind, So keep on walking straight and narrow down illusionary lines. Now Certified Wise have got a hold of ya, We drop a whole lot of funk like Magnolia, We’re the freshest B-Boys in Nike and Adidas, We’re hotter than heaters and blowing up speakers, There’s no half-steppers, we far from a fake crew, We make rap music every Aussie can relate to, We’ll never take a tumble, we’re not gonna stumble, If you diss any member the result is let’s rumble.Either we’re all out, or we’re all in, And if we fall out, then we’re all falling, It’s the calling; it’s what I hear in my sleep, It’s that shiver up my spine when I’m feeling the beat, It’s that fear of defeat, the need to better myself, It’s the culture; it’s not about spreading the wealth, It’s forgetting the time when you’re perfecting a rhyme, It’s every drop of sweat that I shed getting mine. That’s just my life cycle, nothing matters but setting me free, Because my freedom and Hip Hop be meaning everything to me, Now face values and fashions empower everything we be, Believing everything we hear, and everything we see, So if our eyes tell us lies, then we usually find, Our visions cluttered by this scutter so the truth is we’re blind, It’s just poison food for thought for these delusionary minds, So stop walking straight and narrow down illusionary lines. Complex compliments the simple to complete this individual, Simplex the original, beat the hypocritical, Ridicule the weak with techniques that leave you burnt, Like cannabis or cheeba, either you do or you don’t, We’ll prove that you won’t ever endeavour to get it together, To better these fellas, I be like whatever, you get it? The reason Certified is Mr Nice with the wise guys.And while Rap Genius does a great job of giving us the street-meaning of his bars, I feel as though there are more meaningful lessons we can take out of his lyrics. In fact, that's why you'll hear rappers refer to it as so.

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Slide in her DM I'm all in it Finessing the plug got a quarter P Looking for Bark yeah I'm bout the P Heard of that boy he a target But I'mma still be there regardless Long as this money keep calling yo [Chorus: Breeze Barker] Fuck with the plug he be callin' me (callin' me) Ain't about money quit callin' me (why?

[50 Cent & Chris Brown] Ayo, quit captain savin', serenadin' them hoes She no Juliet for no Romeo with no dough She report to pimpin', now back to trickin' She report to pimpin', nigga back to trickin' [50 Cent] Ay hoe, get back to twerkin', back to workin' Get back to strippin', they back to tippin' Them stacks is fallin', they back to ballin' Them bottles poppin', bitch them hoes callin' us Quit fuckin' around, not playin' around bitch, shit is for real Quick makin' a stack, back makin' some mill, I mean, get us a deal Bitch fix us a meal, tell me how does it feel? And I'm a let it go 'til the clip go empty [50 Cent & Chris Brown] He think he fuckin' my bitch, nigga that bitch for rent He know how to treat a hoe, I mean all that money spent She say you a sweetheart, a sweetheart Things tend to go a little different round here, we pimpin' nigga [50 Cent] I'm getting big money, started going hard keep a nigga from hatin' Remove the white bitch, nigga Google this shit we interracial dating This is a new wave, I'm a new Wraith, my nigga sit on suede Like I'm Special Ed, but I ain't Special Ed, bitch I got it made We here to make the paper, hope you niggas on the same page You know boy in the hood'll have you running like Ricky from a 12 gauge You know my bottom bitch, I done told I'd break a nigga 12 ways A few tricks a day, that there keep the bill collectors away You hear my name on the street, circulating, you heard I'm cakin' These niggas try to compete, perpetratin', what's percolating? Je suis le mec aux multiples nanas, regarde-les le suivre Mes potes viennent du 400, le quartier Reprends ta merde, on monte dans les statistiques d'Instagram Plus haut qu'un ventilateur de plafond, je prépare des briques (de cocaïne) dans la cuisine Je fais voler les trucs par la fenêtre comme si j'étais Peter Pan Je détiens mon propre truc, j'ai le truc Tout seul, un doigt d'honneur à l'intermédiaire N'importe qui peut l'avoir quand ils le veulent Un doigt pour les salopes, elle va me dire qu'elle jouit 50 dans cette salope et je ne lui ai rien demandé C'est mon gangster, si un négro part en vrille, on va se moquer de lui Pas d'argent veut dire pas de problèmes Si ton gars a le fric, nous allons le lui voler Garçon je suis simple, un M. [50 Cent:] Je me fais plein d'argent, ça devient dur de ne pas se faire haïr Enlève les catins à peau blanche, mec cherche sur Google on fait des rencontres interraciales C'est une nouvelle vague, je suis ni vivant ni mort, mon négro s'assoie sur du daim (cuir) Comme si j'étais Special Ed, mais je ne suis pas Special Ed, putain je l'ai fait faire On est là pour faire le journal, j'espère mecs qu'on est sur la même page (=à la page) Tu sais les gars du quartier te feront courir comme Ricky avec un shotgun Tu sais ma petite salope, j'en ai marre de dire que je peux casser un négro de 12 façons différentes Quelques astuces par jour, c'est ce qui a repoussé les collecteurs de billets Tu entends mon nom dans la rue, qui circule, tu as entendu que je n'arrête pas de parler (au téléphone) Ces négros tentent de rivaliser, de pénétrer (ma zone/mon quartier), qui se la raconte ?

On the social network when they said a nigga really ain't got no chill [50 Cent & Chris Brown] He think he fuckin' my bitch, nigga that bitch for rent He know how to treat a hoe, I mean all that money spent She says you a sweetheart, a sweetheart Things tend to go a little different round here, we pimpin' nigga [50 Cent & Chris Brown] Quit captain savin', serenadin' them hoes She no Juliet for no Romeo with no dough She report to pimpin', now back to trickin' She report to pimpin', nigga back to trickin' Ayo, quit captain savin', serenadin' them hoes She no Juliet for no Romeo with no dough She report to pimpin', now back to trickin' She report to pimpin', nigga back to trickin' We pimpin' nigga! I got thing for days, ask around, they tell you I put it down So a hoe feel like I'm right next to her when a nigga way up town [50 Cent & Chris Brown] He think he fuckin' my bitch, nigga that bitch for rent He know how to treat a hoe, I mean all that money spent She say you a sweetheart, a sweetheart Things tend to go a little different round here, we pimpin' nigga [50 Cent & Chris Brown] Ayo, quit captain savin', serenadin' them hoes She no Juliet for no Romeo with no dough She report to pimpin', now back to trickin' She report to pimpin', nigga back to trickin' Ayo, quit captain savin', serenadin' them hoes She no Juliet for no Romeo with no dough She report to pimpin', now back to trickin' She report to pimpin', nigga back to trickin' We pimpin' nigga [50 Cent & Chris Brown:] Ayo, arrête cap'taine sauveur, faisant sa sérénade à ces catins Elle n'est la Juliette d'aucun Roméo sans pognon Elle fait son rapport au mac', et retourne à la tromperie Elle fait son rapport au mac', et le mec se fait leurrer [50 Cent:] Hé catin, remets-toi au twerk, remets-toi au boulot Remets-toi au strip-tease, ils reviennent pour le pourboire Leurs liasses tombent, ils reviennent s'enrichir Leurs bouchons de bouteilles sautent, putain ces catins nous appellent Arrête de coucher dans tous les coins, on ne joue plus putain, c'est pour de vrai Rapide à se faire de l'argent, se faire un million, je veux dire, trouve-nous un bon plan Putain arrange-nous un repas d'affaires, dis-moi qu'est-ce que ça fait? J'ai des trucs pour des jours, demande autour de toi, ils te disent que je le fais Donc une catin a la sensation que je suis juste à côté d'elle quand un négro se fait plaisir en ville [50 Cent & Chris Brown:] Il pense qu'il se tape ma nana, négro cette nana est à louer Il sait comment traiter une catin, je veux dire tout cet argent dépensé Elle dit que t'es un chéri d'amour, un chéri d'amour Les choses ont tendance à être un peu différentes par ici, on est des macs On est des macs, négro !

When I first heard “Ten Crack Commandments,” I couldn't have been older than 12.

To be honest, I really had no clue what those commandments meant. Sure, I started to understand the glaring drug references after watching Al Pacino become Tony Montana, but I also began to see new business analogies arise after becoming a man, myself.




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She famously quipped, “What the f*ck does she mean? She’s a Black girl.”“I literally run away from people that use words like ethnic. To me there is no such thing as people of color cause in reality people aren’t white. People are pink, it’s a bit ridiculous when I have to explain to a human being, that is an adult like I am, that looks intelligent but for some reason I have to question his intelligence and explain to him as if he was a two year old, my composition in order for him to say, ‘Oh I guess I can chill with you, I can work with you.’I will not underestimate a human being and I will not allow another human being to underestimate me. Those people are not Africans; they don’t know a thing about Africa.